Q: Are you quite a dark person and difficult to live with when you’re writing?Seriously – we still don’t know whether to laugh or cry …
A: “I draw things very close to me when I write and often emerge blinking into the sunlight. I don’t think I’m difficult to live with but I’ve been told I get quite intense. I remember noticing my six-year-old crawling past the table where I was working, with his leg bent oddly and pushing one foot. When I asked him what he was doing he said he was playing at being a piece of rubbish so he wouldn’t disturb me. I think I took the next month off after that.”
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Friday, September 14, 2007
It’s All McNamee, Me, Me With Him
Funky Friday’s Free-For-All: Being A Cornucopia Of ‘Weekend Ho!’ Interweb Baloohaha
Thursday, September 13, 2007
“Ya Wanna Do It Here Or Down The Station, Punk?” # 697: Charles Kelly
What crime novel would you most like to have written?
Jack’s Return Home by Ted Lewis, re-issued in connection with the Michael Caine movie as Get Carter. “Hard-boiled” doesn’t even begin to tell the story. The main character is tough to the bone, the dialogue is chillingly understated, and the bleak atmosphere is perfectly rendered. It’s been called the best thriller ever written, and I agree.
What do you read for guilty pleasures?
My guiltiest pleasure read last year was Men’s Adventure Magazines, a history of men’s adventure magazines in post-war America. It mostly consists of covers and illustrations from the ultra-lurid mags that I used to inhale as a boy: sweating adventurers being attacked by locusts as big-breasted women in skimpy, often torn, garments swoon nearby; gutsy American soldiers gunning down Nazis while big-breasted women in skimpy, often torn, garments swoon nearby; blood-covered pirates repelling boarders while big-breasted … (well, you know).
Most satisfying writing moment?
Getting an e-mail on my PDA saying J.T. Lindroos at Point Blank Press would accept my novel Pay Here for publication. This after writing six novels, having three of them agented, and having none of them sell. I love the Point Blank Press writers – Ray Banks, Allan Guthrie, Duane Swierczynski, and all the others – and it was humbling and thrilling to know I would be joining that select group. Second-most satisfying moment: Walking into The Poisoned Pen Mystery Bookstore in my hometown of Scottsdale, Arizona, and seeing a big, lovely display of about 20 hardcovers of Pay Here.
The best Irish crime novel is. . .?
It’s hard to beat The Killing of the Tinkers by Ken Bruen. But I’m also a big fan of Dublin by Sean Moncrieff. Divorcing Jack by Colin Bateman is also great fun.
What Irish crime novel would make a great movie?
I think Dublin would suit the big screen just fine. It’s got action, drugs and intrigue. Colin Farrell could play the lead, but he would have to develop a pot belly. Don’t know if he’s willing to do that.
Worst/best thing about being a writer?
The worst thing about being a writer is waiting for years (sometimes many years) for the pay-off (the emotional pay-off, that is. Where’s the money in this game?). The best thing is the process, just going into the trance of writing and solving the storytelling problems. Christ, it’s fun!
The pitch for your next novel is. . .?
Old murders die hard. No one knows that better than crime reporter Michael Callan, who’s out to pin one on a friend.
Who are you reading right now?
Jason Starr, Ray Banks and Gil Brewer. Jason was up after me at my recent book signing at The Poisoned Pen, so I got him to sign his latest, The Follower. I’m reading that one and gobbling it up like candy, as I do with all of his books. I’m also reading Ray Banks’ Donkey Punch. Hard-nosed doesn’t get any better. The Vengeful Virgin by the late Gil Brewer is the selection for September to be read by our Hard-Boiled Discussion Group at the Poisoned Pen. Sexual obsession: love it.
The three best words to describe your own writing are. . ?
Too. Damn. Punchy.
Charles Kelly’s Pay Here is available at all good bookstores.
Wednesday, September 12, 2007
That Ken Bruen, He’s No Oil Paint … Oh.
Nobody Move, This Is A Review: Two-Way Split by Allan Guthrie
As He Sows, So Shall He Reap
“Still, at least The Reapers now has a beginning, a middle, and an end that, to be honest, was a little surprising to me. Then again, that’s one of the pleasures of not planning the novels down to the last detail: in the process of writing them themes begin to emerge, so that what might have begun life as an aside in the first chapter becomes, by the end, the basis for the book’s defining moment. Maybe I’m a little more optimistic about the novel than I was earlier in the year. As this draft has proceeded the book, I think, has become more interesting. What began life as a light novel has assumed darker overtones. It will be an odd read, I suspect. I remember a British critic once commenting on Angel and Louis to the effect that she believed I found them funnier than they actually were. In fact, I’ve always been ambivalent about them, and that ambivalence finds its fullest expression in The Reapers. It becomes clear that they, along with Parker, the Fulcis, and Jackie Garner, are damaged individuals, and anyone who enters their sphere of influence believing otherwise is deluded. And so, as the book develops, their banter becomes a kind of denial of reality, a means of distancing themselves from the damage that they inflict upon others.”The Reapers, due next May and still officially untitled, can be pre-ordered here …
The Day The Music Was Massacred
In the early hours of 31 July 1975, The Miami Showband was stopped at a military checkpoint. As they were held at gunpoint outside their WV minibus, a bomb that – unknown to the band members – was being loaded on to their bus exploded prematurely destroying the bus and catapulting the band members into a nearby field. As Stephen Travers lay seriously wounded in the field he listened to the cries of his friends as they were mercilessly gunned down and the steps of the gunmen getting closer … Here is his story. What is it like to survive such an atrocity? To live when those around you die? Now Stephen Travers remembers the highs and lows of being in one of the most successful showbands of the 1970s and how it all ended in a terrifying moment. In a moving and honest quest for truth and reconciliation, he tries to come to terms with what happened as he looks for the answers as to why his friends were killed. Stephen wants to understand but will he find the answers when he meets the men responsible for the massacre face to face?
Tuesday, September 11, 2007
The Embiggened O # 944: Yet More Evidence For The Prosecution
“A polished, sharp as a tack and witty caper novel … If you’re a fan of the likes of Steve Brewer and Carl Hiaasen, you’ll devour The Big O. It marries a mastery of the caper novel with the sharp writing of a Ken Bruen. Declan Burke is undoubtedly a writer to watch.”Sharon? Flattery will get you everywhere. Or to Bali, at least. A return ticket is going in the post as you read …
Monday, September 10, 2007
“Ya Wanna Do It Here Or Down The Station, Punk?” # 347: Declan Hughes
What crime novel would you most like to have written?
It’s a toss-up between The Glass Key by Dashiell Hammett and The Galton Case by Ross Macdonald. Hammett’s book, the first crime - as opposed to detective - novel, remains a marvel for its style, its complex, cynical grasp of urban politics and its deft exploration of manners, a crucial area for the hardboiled as much as the cosy side of the house. The Galton Case is The Great Gatsby of crime novels, with its inquiry into the father-son legacy, personal self-reinvention and the limits of the American dream; Macdonald squared the circle of hard-boiled action and social /psychological comment with masterful plotting. I honestly believe he’s still The Master; no-one else has even come close.
Who do you read for guilty pleasures?
Edmund Crispin’s Gervais Fen books. They’re absurdly snobbish, deeply silly, clever-clever Golden Age mysteries (although written in the late forties/ early fifties) laden with literary quotation, facetious humour and pretty much everything I don’t generally enjoy in a crime novel, but there’s something about them I find immensely comforting, particularly when you’ve just delivered a new book and are a) totally wrecked, and b) terrified to read anyone you normally would in case you remind yourself of just how good they are, and thereby of your own inadequacies.
Most satisfying writing moment?
One of them was the opening night of my first play, I Can’t Get Started – based on the life of Dashiell Hammett – at the 1990 Dublin Theatre Festival. The dawning realisation that the audience wasn’t going to walk out in boredom or fury, that they would in fact stay and applaud at the end, that a full house of people who wouldn’t have been at all upset if they’d hated it (Dublin audiences can be tough) apparently enjoyed an evening based on words I’d written ... there was pretty good drinking that night.
The best Irish crime novel is …?
I think I’ll stick with the dead, just to be on the safe side. Raymond Chandler could have played for Ireland in the Jack Charlton years: his mother was from Waterford. But that would be way too cheeky. But we can certainly claim C. Day Lewis, writing as Nicholas Blake – The Private Wound is set in the west of Ireland just before the second world war. Lots of dubious priests and ex-IRA malarkey.
What Irish crime novel would make a great movie?
The Private Wound. It was in the works for a while, because I once had a meeting with the producers. I think Ronan Bennett did a screenplay – he did them all for a few years – but it doesn’t seem to have gone any further.
Worst / best thing about being a writer?
The worst thing is the solitariness, and eventually the hours. But they can be the best things as well, although obviously the hours are a lot nicer when you’re happily starting a book than they are when you’re desperate to finish it. And while you don’t get to meet people at work, or leave the house, it’s nice some January mornings as the traffic backs up on the M50 and the sleet carries in on the wind to know that your commute to work is the arduous trek from the kitchen to the study.
Why does John Banville use a pseudonym for writing crime?
I wonder if it started as a hat-tip to Richard Stark AKA Donald Westlake, whom he has long admired. It strikes me that Benjamin Black is having a whale of a time writing crime. The question might well, be, will he ever use his John Banville nym again?
Who are you reading right now?
What The Dead Know by Laura Lippman is a stunning piece of work: psychologically complex, laced with shrewd wit, it draws you in delicately, without showing its hand; when the major revelation finally comes, it’s all the more shocking because you haven’t been entirely aware you were reading a thriller. And like everyone else, I’m loving Peter Temple: The Broken Shore is an absolute classic. At the moment, I’m in the middle of the second Jack Irish book, Black Tide. Great stuff. Jack Irish? We can claim him, can’t we?
The three best words to describe your own writing are …?
John Connolly tends to have better words than most. Three he used to describe my first book were: Witty, violent and moving. I may blush, but who am I to argue?
Declan Hughes’ The Colour of Blood is available everywhere they appreciate good writing.
Let’s Talk About Text, Baby
Sunday, September 9, 2007
The Monday Review
Always Judge A Book By Its Judge
“The first time that I knew My Lady Judge had been picked by the American Booksellers Association for their September list of twenty ‘notables’ was when my agent in UK emailed me to say that he had just seen it on a magazine called ‘Publishers’ Lunch’. I must say that I was pretty excited. Although I am only nineteenth out of the twenty recommended books, it still was quite unexpected – especially given the number of books published every day in the States. The book will be out in a week’s time and then we’ll see how it goes. The American publishers, St Martin’s Press, are playing up its Irishness very much, with a Celtic-mist-type cover and a subtitle of ‘A Medieval Irish Mystery’. However, the book may not be what an American audience regards as ‘Irish’. Mara, my main character, is no Irish colleen, but a tough, practical woman with a degree of education which would be way beyond what is expected of lawyers nowadays. One of Queen Elizabeth 1’s fact-finders reported of the Brehons that they spoke Latin ‘as if it were their native tongue.’ I keep wondering how the intricacies of Brehon Law, and the fact that the judge is a woman, will go down in America. Personally, I think that Brehon Law is fascinating, especially with its emphasis on the rights of woman. One of my readers on Amazon UK said that she loved the bit where a woman could divorce her husband if he got too fat! Perhaps this would not be popular in America. However, I did see that the Poisoned Pen Mystery Bookshop wrote: ‘You have to read [My Lady Judge] to get the full impact of its charm. I predict a big US hit in September so beat the rush.’ It would be lovely if that comes true.”And only slightly less lovely than the delightful Cora Harrison, if the truth be told.