“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Thursday, November 21, 2013

Review: ECHOLAND by Joe Joyce

Set in Dublin in early 1940, as the Wehrmacht blitzkriegs its way through France, Echoland by Joe Joyce (Liberties Press, €13.99) is a thoughtful blend of spy novel and historical thriller. In the midst of the flap, young soldier Paul Duggan finds himself promoted to G2, the army’s intelligence division, to investigate the possibility that an apparently respectable German citizen is in fact a spy plotting a future invasion of Ireland. Struggling to come to terms with his new responsibilities, the callow Duggan is further undermined when his uncle, the politician Timmy Monaghan, prevails upon him to use his new position to discover the whereabouts of Timmy’s daughter, who has gone missing, presumed abducted. Joyce, who published a pair of critically acclaimed thrillers in the early 1990s, deftly charts Duggan’s path through the personal and the political, although it’s Joyce’s evocation of the tumult of the time, and the uncertainty of not knowing if the Germans would eventually invade – or the British, for that matter – that is particularly effective. Duggan at first appears to be an unusually passive character for the hero of a spy thriller, but it’s a canny ploy by Joyce. As the impressionable Duggan goes about his business of soaking up information from hawks, doves, spies and politicians, it’s left to the readers to make up their own minds about the thorny issue of Ireland’s neutrality during ‘the Emergency’. – Declan Burke

  This review was first published in the Irish Times.

No comments: