“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Monday, April 20, 2015

Event: The Franco-Irish Literary Festival

The 16th Franco-Irish Literary Festival takes place from April 24th – 26th, with the theme this year Crime Fiction / Festival du polar:
“The sustained popularity of the crime novel has long shown that the genre cannot be dismissed as second-class literature. From the early works of Edgar Allan Poe in the 19th century, to the recent TV series The Fall, by way of the French literary collection “Le Masque”, launched in 1927, the crime novel has always moved with the times, and today, in its many different forms, its reach extends across all layer of society. In the 1970s, the slang term “polar” was coined in France. Initially referring to the crime film genre, the term was soon universally adopted to describe the crime novel. The “polar”, this multifaceted and seldom anodyne genre, period-specific and bearing witness to all the power of the pen, is surely every bit as enigmatic and complex as the crimes and mysteries it presents to its readers.”
  Contributing authors include Stuart Neville, Sinead Crowley, John Banville and Cormac Millar on the Irish side, while France is represented by HervĂ© Le Corre, Chantal Pelletier, Jean-Bernard Pouy and Didier Daeninckx. The weekend will also incorporate a Crime Fiction Masterclass at the Irish Writers’ Centre hosted by Jean-Bernard Pouy.
  The events take place in Dublin Castle and at Alliance Française. For all the details on the scheduling, and how to book places, clickety-click here

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