“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Tuesday, June 20, 2017

Review: CARDBOARD GANGSTERS by Mark O’Connor

The Irish crime flick comes of age with Cardboard Gangsters (18s), in which Jason Connolly (John Connors), ‘sick of waiting on line for a hand-out’, decides to muscle in on the drug trade on Dublin’s Darndale estates. Aided (but largely abetted) by his buddies Whacker (Alan Clinch), Dano (Fionn Walton) and Glenner (Paul Alwright), Jason goes toe-to-toe with local gangland kingpin, Derra Murphy (Jimmy Smallhorne), a bravura act compounded by Jason’s inability to resist the temptation of leaping into bed with Derra’s wife Kim (Kierston Wareing) … The comparisons with Love / Hate are unavoidable, but it’s by no means a stretch to suggest that Cardboard Gangsters is an Irish Little Caesar, charting as it does the mercurial rise of a feral criminal who recognises no law but his own. Directed by Mark O’Connor, who co-writes with John Connors, the story fairly thrums with menace, as the hemmed-in Jason simmers at his lack of opportunity and threatens to explode at any moment. More of a strategist than his impulsive friends, Jason understands the extent to which the system is rigged against him; for all his innate intelligence, however, Jason also understands that in ‘the jungle’ (aka Darndale), only the strongest, the cruellest and the most ruthless thrive. Caustically funny, the doom-laden plot doesn’t throw up too many surprises, mainly because Mark O’Connor and John Connors adhere to the classic noir story arc, but the film powers along on the strength of Connors’ phenomenal performance as he creates an anti-hero who is by turns charismatic, repellent, sympathetic and ultimately tragic. ***** ~ Declan Burke

  This review was first published in the Irish Examiner.

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