“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Monday, September 6, 2010

Make Mine A Shandy

An intriguing proposition hoves over the horizon, being Michael Sheridan’s true crime offering MURDER AT SHANDY HALL: THE COACHFORD POISONING CASE. To wit:
Cork, May, 1887. Murder stalks the countryside. Against a tranquil rural backdrop the sleepy County Cork village of Dripsey, near Coachford, a sensational Victorian murder is played out with a potent mix of love, lust, betrayal, and ultimately naked hatred. The entry of a young and beautiful governess into Shandy Hall, the home of a retired British Army surgeon Dr Philip Cross, acts as a catalyst for an act of horror that prompts suspicion, an exhumation, an inquest, and a charged courtroom drama that grabs newspaper headlines all over the world. The nation is transfixed by details of a murder which shatters the Victorian ideal of the home as a safe haven of privacy and comfort, and besmirches the blue-blooded reputation of an aristocratic line. The cast of real characters includes a cruel killer, cloaked in respectability; a beautiful and naïve governess; a blameless wife; a brilliant young pathologist; a canny and clever murder detective; two accomplished courtroom adversaries; a caring and emotional judge; and a notorious hangman. The unravelling of this true-life murder mystery will send a chill through your bones.
  Sheridan’s previous books include DEATH IN DECEMBER: THE STORY OF SOPHIE TOSCAN DU PLANTIER and A LETTER TO VERONICA: THE LAST DAYS OF VERONICA GUERIN, both true crime accounts. He’s not shy about raising the bar on himself, either. In his introduction, he has this to say:
“There is nothing ever new under the sun and the fact of murder echoes in our ears, in hour hearts and in our minds. And yet [murder] is an enduring mystery - one that drove the greatest writers over the generations, like Dickens, Dostoevsky, Wilkie Collins, Conan Doyle, Camus, Capote and Mailer to even greater heights of expression to get to its essence.”
  So - can Michael Sheridan’s SHANDY HALL cut the mustard alongside the greats? Only time, that notoriously doity rat, will tell …

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