“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Monday, August 5, 2013

The First Cut Is The Deepest

I’d imagine that CUT by Frank McGrath (Longboat Publishing) is a crime debut with a difference, given that Frank McGrath is a pseudonym for Alan Moore, a poet whose first collection, OPIA (1986) was a UK Poetry Book Society choice – not bad going for a first collection.
  As for CUT, which is set in Dublin, Hong Kong and Macau, the blurb runs like this:
A savage killing. A girl missing. A clock ticking.
  A cop who sees the world differently.
  Detective Jack Grogan investigates the disappearance of the Chinese Trade Minister’s 15-year-old daughter, following the brutal murder of her bodyguard.
  He soon discovers that Lynsey Tao is a pawn in a game where no one can be trusted and nothing is what it seems.
  For more, clickety-click here

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