“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, October 30, 2013

Stranger Danger

Michael Russell follows up last year’s debut THE CITY OF SHADOWS with another title featuring Garda Sergeant Stefan Gillespie, THE CITY OF STRANGERS (Avon) – and a very handsome cover it is, too. Quoth the blurb elves:
“The past didn’t only come up at you out of the ground in Ireland; it walked around the streets following you, and if you turned round to complain it spat in your face.”
  New York, 1939: A city of hope. A city of opportunity. A city hiding dark secrets …
  A brutal murder in an affluent suburb of Dublin and the unexplained death of an Irish diplomat in Manhattan … Garda Sergeant Stefan Gillespie is sent to America to bring a killer to justice, but his mission soon becomes part of an increasingly personal struggle.
  A chance encounter with an old friend draws him deep into a network of conspiracy, espionage and terror with disturbing connections to home. When he suddenly becomes part of an Irish woman’s bid for freedom from the clutches of a corrupt Manhattan power-broker, Stefan discovers that the war that is looming in Europe is already being played out on the streets of New York, with deadly consequences.
  In a time when people must make a stand for what they believe in, willingly or not, the stakes for Stefan Gillespie, and everything he holds dear, couldn’t be higher.
  Michael will be appearing at ‘Irish Crime Fiction: A Festival’ in Trinity College at the end of November. Meanwhile, for more on Michael and his novels, clickety-click here

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