“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Saturday, December 7, 2013

Review: THE BLACK LIFE by Paul Johnston

Paul Johnston’s The Black Life (Crème de la Crime, €18.99), his sixth to feature the Greek-Scottish private detective Alex Mavros, is rooted in the past, although it’s a past that becomes more relevant with each passing day. Hired to investigate the apparently miraculous reappearance of Aron Samuel, a Jewish man thought to have died in Auschwitz, Mavros travels to the city of Thessalonika. Soon he finds himself embroiled in a tale that links the extermination camps of the Third Reich with the recent rise of the fascist Greek political party, Phoenix Rises. What follows is a powerful novel on many levels. Johnston doesn’t shy away from describing the hellish activities at Auschwitz, and he further explores the extent of the collaboration that existed between Greek citizens and the German authorities when it came to deporting the Jewish population of Thessalonika. He also investigates the activities of those Jewish men and women who took their revenge on former Nazis in the post-WWII years, weaving the narrative strands through a political tapestry that includes the beliefs of Mavros himself, whose own family suffered terribly for their Communist leanings during the reign of the Colonels. Harrowing in places, it’s a gripping private eye novel that offers a chilling snapshot of modern Greece. – Declan Burke

  This review was first published in the Irish Times.

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